Artists' Television Access


periwinkle april

Back by popular demand Hanky Code The Movie with special short film Cruising Elsewhere preceding. Bringing Queer Sexy back to San Francisco. Cruising Elsewhere Whatever happened to Wohler Beach? Oral histories and spectral pornography resurrect memories of a once legendary Russian River gay beach in this sexy short. Dir. Ryan White 13 Min. Hanky Code The MovieBefore Internet dating and hookup apps, The Handkerchief code was largely used by gay men in the 1970’s to distinguish sexual preferences and fetishes in gay clubs and on the streets of places like San Francisco and New York. In Hanky Code: The Movie, Periwinkle Cinema, San Francisco’s queer experimental film collective brings Queer and Trans filmmakers across a spectrum of genres, styles, genders, and locations to dissect the code in this epic anthology feature comprised of 25 short films! Each filmmaker or filmmaking team tells a story of a different color/fetish of the code. Films range from narrative to experimental to erotic and animated, with many films redefining the traditional code with colors, patterns, and fetishes up to creative interpretation of the artist. 84 MinFilms Include: Black – Flagging Black by Ivy Dykes Grey- Grey Is For Bondage by Lorin MurphyLight Blue- White Stripes by Lex Non-Scripta Blue Silver by Marie Walz – Light Blue by Ricky Lee – Teal Blue by Kolmel W – Love and Alex Albers -Red by Caitlin Rose Sweet and André
Azevedo – Maroon- HEMA by Ashley Monique George – Rose by Ilona Berger – Magenta by Gentry McShane – Purple by Anatomically Incorrect
Doll and Char VortryssLavender- L is For Lavender by Margarita
FemmeinistaYellow- Pee Colored by Katie BushPale Yellow- Spit by
Malic Amalya and Nathan HillGold- 2 looking for 1 by Jamie Evelyn
ManziOrange- Anything Goes by Stéphane GérardApricot- Apricot 4
Apricot by Courtney TroubleLime- grrrl with the most cake by
Jacqueline Mary and Violette DentataWhite Fur by Neve Be and Nikki
SilverFur by M. O'HerlihyGrey Flannel by Austin BoeSilver Sequins-
Flagging 4 Fashion by Moon Ray RaKleenex by Kico Le
StrangeHoundstooth- Mouth Wide Open by Siobhan
AluvalotIndigenous Luvvv by Demian DinéYazhiCredit sequence by
Lisa GanserTheme Song by nomy lamm

The House On Lucky Street (Indiegogo)



This newest short film was written by award-winning filmmaker, SHANI HECKMAN (Wrong Bathroom & America’s Most Unwanted) and blends documentary with fictional story-telling to tell this unique ghost story centered around displacement in San Francisco.

THE HOUSE ON LUCKY STREET is a short film about the last two residents in the haunted Victorian at 13 Lucky Street in San Francisco’s Mission District. The 100-year-old ghost, Carmelita Reyes, and the human resident, Matteo Florez, unite to fight their eviction. Along the way, Carmelita’s poltergeist reveals past stories of displacement through documentary footage informing Matteo of the importance of knowing our collective history in order to change our fate.


Living in the Mission District over the past decade, and visiting the area for over twenty, I’ve witnessed major changes to my neighborhood. From dive bars and taqueria shacks closing down, converted to expensive small-plate restaurants to the new fancy clothing boutiques that long-time neighbors cannot afford, these new upgrades threaten the very cultures that made this City attractive!


Around the world, cities are gentrifying. Brooklyn’s waterfront is now glass condos; Baltimore’s waterfront is full of chain stores; Philadelphia is being cleaned up as I type. This story is shared in many cities throughout the world in 2017, but San Francisco is the place where the greatest rent increases have occurred in the past 5 years.

Moving to another City is not an option for most people living on the margins of society, and many locals join the houseless ranks when their building sell. Ghosts too are affected, as gut-remodeling of these old apartments into single-family homes kills off these spirits.

Time is ticking for Carmelita and Matteo, as it is for their neighbors to find a way to stay in their home. 


Writer/Director, SHANI HECKMAN’S past films have won awards and toured the world via the film festival market. Her short script, Double Secret, was a semi-finalist with ScreenCraft’s Script Competition in 2016. Her films have earned support from Horizons Foundation, Open Meadows Foundation and the San Francisco Arts Commission due to their social justice focus and diverse approach. She created the non-profit, Shanestar Productions, Inc. to ensure equity is a key focus of this media work.

ATA co presents  LAST MAN IN DHAKA CENTRAL at 3rd i’s annual Film Festival

ATA co presents  LAST MAN IN DHAKA CENTRAL at 3rd i’s annual Film Festival
Filmmaker in Person! Filmmaker Naeem Mohaiemen brings his razor-sharp critique and keen awareness of global politics to the conversation, as he probes Peter Custers, a Dutch journalist who traveled half-way across the world to participate in a left-wing uprising in Bangladesh. With short Abu Ammar is Coming.
Please use promotional code “cp_2017 when purchasing tickets for this film and receive 20% off an individual $11 ticket (until online sales end on the day of the screening. Online fees not discounted).

ATA co-presents at 3rd i South Asian Film Festival

 Kaul (A Calling)

Saturday November 12 @ 1:00 pm  (Screening @ Castro Theatre)

Aadish Keluskar’s bold and innovative “Kaul” can only be described as a truly transformative cinematic experience. Deeply inspired by the films of Tarkovsky and Bela Tarr, and firmly rooted in a Marathi milieu, Keluskar delivers a uniquely visceral film that brings equal measure of the surreal and the sublime.

More information and tickets:
United Red Army (The Young Man Was, Part 1)
November 13 @ 2:30 pm (Screening @ New People Cinema )
Skype Q&A with Naeem Mohaiemen!!
This striking and hypnotic documentary — the first in a trilogy on ultra-left movements — by visual artist Naeem Mohaiemen, reconstructs the hijacking of Japan Air Lines flight 472 at the hands of the Japanese Red Army in 1977, during which the hijackers forced the plane to land in Dhaka, Bangladesh.
Using the original sound recordings and surveillance video from the airport control tower, and a written transcript of the tense and cautious conversation between the hijackers and the hostage negotiator, the captivating and meditative doc presents a blow-by-blow account of the event. Mohaiemen interrupts the negotiations to take a trip back to his own living room, where he followed the events as an eight-year-old, hoping it would end so he could watch his favorite TV show.
As reviewer Wilson-Goldie (Bidoun) notes, United Red Army “delves further into the unintended damage that violent revolutionary movements wrought, articulating the need to address them critically, skeptically, even generously, but without nostalgia or romance, fascinated but not seduced.”
More information & tickets:

SF Cinematheque and Gray Area present: Perpetual Motion

September 16–December 7, 2016
Gray Area / Grand Theater  2665 Mission Street  San Francisco
Perpetual Motionis the most comprehensive convergence of international performance cinema practitioners ever assembled in the Bay Area. Presented over seven evenings September 16–December 7, 2016, with all artists performing in person, this series is curated by San Francisco Cinematheque and will be presented at Gray Area’s historic Grand Theater, located in San Francisco’s Mission District.
Performance Cinema is an exciting and emergent genre of avant-garde moving-image art which represents a crucial attack on the sterility of the contemporary, digitally-located media environment, advocating for the embodied, collective consideration of real-time, site-specific media experiences. Through mis-used or modified analog film projectors, live video synthesis and physical interaction with the media interface, performance cinema practitioners variously burn, etch, mutilate and destroy projected film, machinery and the image itself. These artists create immersive spectacles of sight and sound, opening a space for questioning and contemplating visual culture through direct activation of the senses. As a dynamic, regenerating and resurrecting media experience, Performance Cinema exists only in the present and is truly an art of its time.

September 16 | 8pm
Perpetual Motion, Program One: Dust to Dust

arc (Oakland) / Jürgen Reble (Germany) / Trinchera Ensamble (Mexico City/Seattle)
Advance tickets here.
Join our Facebook event.

September 17 | 8pm
Perpetual Motion, Program Two: Ghosts in the Machines
Scott Arford (Oakland) / Michael A. Morris (Dallas) / Le Révélateur  (Sabrina Ratté and Roger Tellier-Craig; Montréal)
Advance tickets here.
Join our Facebook event.

October 11 | 8pm
Perpetual Motion, Program Three: Ken Jacobs’ Nervous Magic Lantern
Ken Jacobs (NYC)
Advance tickets here.
Join our Facebook event.

October 26 | 8pm
Perpetual Motion, Program Four: Natural Forces
Beige (Vanessa O’Neill and Kent Long; Richmond) / Keith Evans (Bolinas) / Karl Lemieux (Montréal) + BJ Nilsen (Sweden)
Advance tickets here.
Join our Facebook event.

November 9 | 8pm
Perpetual Motion, Program Five: Spectres
John Davis (Vallejo) / Kerry Laitala (San Francisco) + Voicehandler (Norway/Oakland) / Raha Raissnia (Tehran/Brooklyn) + Panagiotis Mavridis (Greece/Brooklyn)
Advance tickets here.
Join our Facebook event.

November 22 | 8pm
Perpetual Motion, Program Six: Birth / Death / Resurrection
Malic Amalya + Nathan Hill (Oakland) / Sally Golding (Australia/UK) / Hangjun Lee (Seoul) + Jerome Noetinger (Grenoble)
Advance tickets here.
Join our Facebook event.

December 7 | 8pm
Perpetual Motion, Program Seven: Cinema of Confrontation / The End
Bruce McClure (Brooklyn) / Greg Pope (UK/Norway) + Sult (Norway/Oakland)
Advance tickets here.
Join our Facebook event.

Perpetual Motion is a presentation of San Francisco Cinematheque in partnership with Gray Area and is supported by generous funding from the Fleishhacker FoundationSan Francisco Arts CommissionSan Francisco Hotel Tax Fund/Grants for the ArtsThe Andy Warhol Foundation for the Visual ArtsThe Phyllis C. Wattis FoundationZellerbach Family Foundation and by generous donations from Cinematheque’s individual donors and members.