You made it happen for ATA in November 2025, and we made every single of your dollars holler for eight months: Rent? Made it. We’re current. Back rent? Made a huge repayment of $60K in June. What’s left? $15K by August 1. This will leave ATA with a manageable last payment of $5,801.59 by October… Read more »
Coming up next
Sunday, July 26, 2026, 7:00 pm, classic-editorTINAFF: Program 5
This is Not a Film Festival (also know as TINAFF) is a monthly recurring film showcase, allowing local Bay Area filmmakers, artists and creatives to gather, connect, and present their work. No submission fees, no awards, no gatekeeping. Our goal is to provide a space where truly independent films can be shared and enjoyed the... Read more »
Upcoming Screenings and Events
- Monday, July 27, 2026, 7:30 pm, classic-editor
Rewards Program
- Friday, August 7, 2026, 7:00 pm, $10, classic-editor
The Cinema Must Be Destroyed: The Films of Guy Debord
- Saturday, August 8, 2026, 7:00 pm, $10, classic-editor
The Cinema Must Be Destroyed: The Films of Guy Debord
- Friday, August 14, 2026, 7:00 pm, $10, classic-editor
The Cinema Must Be Destroyed: The Films of Guy Debord
- Saturday, August 15, 2026, 7:00 pm, $10, classic-editor
The Cinema Must Be Destroyed: The Films of Guy Debord
Gallery
- July 24, 2026 , classic-editor
Deterrence
From the Blog
Copper Giloth’s Feminist Computer Art
Posted May 2, 2026 at 2:42 pm by alex cruse

On view through May 2026 in ATA’s Galleries: Copper Giloth‘s Feminist Computer Art Copper Giloth, Modeling the Female Body courtesy of the artist and Microscope Gallery, New York. Also on view: Ballyoid Cardioids (1979) Skippy Peanut Butter Jars (1980) AS I SAID (1980) Childhood Logic (1980) Alphabet Song of A Young Girl (1986) The Red Table (1986)… Read more »
We Are Making A Film About Mark Fisher
Posted April 27, 2026 at 9:50 pm by Fara
We Are Making A Film About Mark Fisher is a 65-minute cinematic experiment in collective agency, made collaboratively by over 70 artists through Instagram. Almost ten years after his passing, Fisher’s figure still interrogates us — about the political challenges of the present, about the subversive imaginaries we are capable of constructing, about how to escape… Read more »
